With so many different wide-angle lenses for Nikon on the market, it can be tough to determine which one is right for you. In this blog post, we will look at some of the best wide-angle lenses available and help you decide which one is the best fit for your needs. Whether you are a professional photographer or just starting out, we have the perfect lens for you! Keep reading to learn more.
Top 5 Best Wide-Angle Lens For Nikon to buy:
#1. Tokina 17-35mm f/4 at-X Pro FX Lens for Nikon
Tokina’s 17-35mm f/4 Pro FX Lens is a great ultra-wide-angle option for Nikon shooters. With a constant f/4 aperture and 2 Super-Low Dispersion glass elements, this lens delivers superior contrast and sharpness while minimizing chromatic aberration. Tokina’s 17-35mm f/4 at-X Pro FX Lens is perfect for anyone looking for a versatile and reliable lens. The One-Touch Focus Clutch Mechanism makes it easy to switch between autofocus and manual focus, while the water-resistant design means you can keep shooting even in damp conditions. Plus, with its water-repellant optical coating, you can keep your shots clear even when things get wet.
Lens Type: Wide Angle
Compatible Mountings: 17-35mm f/4 at-X Pro FX Lens for Nikon
Camera Lens Description: 35 millimeters
Maximum Focal Length: 35 millimeters
– 3 Year Limited Tokina Warranty
– Protects your camera from accidental damage
– Capture beautiful photos and videos with stunning clarity.
– Get the most out of your camera with this versatile lens.
– High quality glass lens elements.
– Durable and light weight.
-The photo needs to be redone with less chromatic aberration, a better angle and zooming in.
#2. Tamron 10-24mm F/3.5-4.5 Di-II VC HLD Wide Angle Zoom Lens for Nikon APS-C Digital SLR Cameras
Shoot the world in its entirety with Tamron’s new 10-24mm F/3.5-4.5 Di II VC HLD Wide Angle Zoom Lens. With a focal length range of 16-37mm (35mm equivalent), this lens is perfect for capturing everything from wide landscapes to tight interior shots. Plus, with state-of-the-art Tamron technology like Vibration Compensation and High/Low torque-modulated Drive, you can be sure that your photos will be stunning every time. It is the perfect lens to capture beautiful, wide shots.
With its 16 elements in 11 groups, this lens delivers exceptional resolution and stable imaging across the entire frame. The large aperture aspherical lens and LD (Low Dispersion) lens elements also help to correct comatic and transverse chromatic aberration, distortion, and light transmission, making this lens ideal for any photography situation.
It features Tamron’s unique VC (Vibration Compensation) technology, which helps to reduce camera shake and keep your shots sharp and clear. Plus, it’s designed to be compact and lightweight so you can easily take it with you wherever you go. Tamron’s new 10-24mm F/3.5-4.5 Di-II VC HLD lens is perfect for capturing beautiful wide-angle shots, landscapes, and more. With its all-new HLD (High/Low torque-modulated Drive) AF drive system and Full-time Manual Focus override, it’s easier than ever to get the perfect shot.
Lens Type: Wide Angle
Compatible Mountings: Nikon F
Camera Lens Description: 10
Maximum Focal Length: 24 Millimeters
– VC ensures that your photos are in focus, even if you’re shaky
– Capture sharp photos and videos with ease
– Increased accuracy
– Consistent torque output
– Protects your investment in lenses
– Keeps your vision clear in wet or oily conditions
– The FTZ adaptor is not compatible with the Z series cameras.
#3. NIKON NIKKOR Z 14-30mm f/4 S Ultra-Wide Angle Zoom Lens for Nikon Z Mirrorless Cameras
The NIKKOR Z 14-30mm f/4 S is Nikon’s first ultra-wide zoom lens for their full-frame mirrorless cameras. It has a fixed aperture of f/4 and is perfect for travel, adventure, events, and wide-angle video applications. The aberration correction is impressive, the autofocus is smooth and quiet, and the performance is breakthrough. This lens will let you capture stunning landscapes, architecture, and cityscapes with ease.
Lens Type: Wide Angle
Compatible Mountings: Nikon Z
Camera Lens Description: 30 millimetres
Maximum Focal Length: 30 millimetres
– Capture stunning landscapes and cityscapes.
– Shoot cinematic video with ease.
– Outstanding image quality
– Compact size and weight
– It’s easy to use, with one simple button that controls the entire device
– Autofocus is smooth, fast, and quiet.
-The stitching is problematic since the images are not square, but they are sharp and compact.
#4. Nikon AF-S NIKKOR 14-24mm f/2.8G ED
Introducing the Nikon AF-S NIKKOR 14-24mm f/2.8G ED, a fast and versatile ultra-wide angle zoom lens perfect for FX and DX format cameras. With its two Extra-low Dispersion elements and PGM aspherical lenses, this lens controls chromatic aberrations while enhancing sharpness to give you stunning edge-to-edge images. The fast aperture also makes it ideal for low light photography. If you’re looking for an impressive lens with a wide aperture, the Nikon AF-S NIKKOR 14-24mm f/2.8G ED is perfect for you. This lens has a Silent Wave Motor that ensures fast and accurate autofocusing, as well as super-quiet operation. With its close focus of 10.8 inches at the 24mm setting, this lens is great for capturing detailed close-ups. In addition, its Enhanced optical formulas result in exceptional sharpness, contrast, and color rendition – giving you outstanding image quality every time.
Lens Type: Wide Angle
Compatible Mountings: Nikon FX
Camera Lens Description: 24 millimetres
Maximum Focal Length: 24 millimetres
– Capture landscapes and architecture with stunning clarity.
– Take photos that are faithful to the scene you’re photographing.
– Shoot in low light
– The lens construction is designed to enhance the performance of your camera.
– Get a wider angle of view than ever before.
-It’s a bit heavy
#5. Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Lens
This lens is perfect for landscape photography, capturing wide vistas and beautiful panoramas. It also excels at street photography, taking advantage of the very wide field of view to get close to your subjects while still capturing the scene around them. The Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Lens is perfect for anyone who wants to expand their creative possibilities with photography! This lens is perfect for anyone who wants to capture more of the world around them. With a focal length range of 10-20mm, this lens gives you the power to see more of what’s happening and capture it all in stunning detail. Whether you’re using it on a compatible Nikon camera or one of the limited models, this lens is sure to impress.
Lens Type: Wide Angle
Compatible Mountings: F mount
Camera Lens Description: 20 millimetres
– Capture more of the scene with a wider angle
– Capture more of the scene in front of you.
– It’s lightweight and compact, perfect for travel.
– Outstanding optics deliver beautiful photos and videos, even in challenging situations.
– Records video in near-silent mode
– Allows for a more natural sound recording
– It’s a bit expensive
What are Wide Angle Lens For Nikon?
Before we get started, let’s answer the question, “What is a wide-angle lens?” A wide-angle lens is a specific type of lens that has an extremely wide field of view. This allows them to capture more in frame than standard lenses. It also helps create images with exaggerated perspective. These two properties are what makes it possible to take pictures that would otherwise be impossible or at least require different equipment (like panoramic cameras). They come in several different sizes and can vary in how much they distort images depending on where they are placed in relation to their subject.
Factors to consider before buying Wide Angle Lens For Nikon:
When determining which wide-angle lens for Nikon is right for you, there are several factors to consider. These include:
Weight: Another thing to keep in mind is how heavy the lens will be. If you plan on taking it along with you on shoots or during long walks, then lightweight is something you should look for. This doesn’t mean sacrificing durability though; just try to find something that strikes a balance between these two qualities.
Lens Size: This goes hand in hand with the weight, but it is still a pretty important factor. Depending on where you plan to use your wide-angle lens, you will have to consider how big or bulky it is. For example, if you want something lightweight and portable for day-to-day travel, then a smaller size will be ideal for you. However, if you are a professional photographer that shoots from the back of an SUV when covering events then something bigger might be perfect.
Fisheye Lens For Nikon: The first wide angle lens we’ll cover is the Fisheye. These lenses can create images with an extremely strong visual line as well as dramatic perspective distortion. This type of lens works best at short working distances and for subjects which occupy a significant portion of the image area. They can be especially useful for shooting in confined spaces and when trying to emphasize a specific detail in a larger structure, such as using it on top of tall skyscrapers.
Standard Lens For Nikon: A standard lens often provides enough coverage for general use, but they aren’t always ideal for photographing distant objects or landscapes (unless you want to include a lot of “space” in your shot). They are light and compact, so they are great for traveling. However, you won’t get the same level of detail or clarity that you would with a telephoto lens. The focal length is also fixed which means it doesn’t have the ability to zoom in or out like other lenses do (which can be good or bad depending on what you’re looking for).
Telephoto Lens For Nikon: Telephoto lenses allow photographers to bring far-off subjects closer without actually having to move an inch; perfect if you want something in frame but it’s just too far away. The downside is that they aren’t ideal if your primary concern is portability because these things tend to be much heavier than the standard lens. They also come with a higher price tag and often aren’t as sharp as the wide-angle lens.
Wide Angle Lens For Nikon: This type of lens is ideal if you’re looking for something lightweight and portable that you can take just about anywhere with you. It’s probably not going to provide the same level of detail as a telephoto lens, but it will cover a wider area and produce images which have a strong visual line.
Standard Zoom Lens For Nikon: A standard zoom lens tends to work great for general photography purposes because it covers a wide focal length range from wide-angle to telephoto. These lenses are often lighter than their telephoto counterparts and tend to be less expensive as well. However, they don’t possess the same level of sharpness, especially at their extreme ends (wide angle or telephoto). Also, if you purchase a zoom lens that does not allow for manual focus then this can limit your creative control over certain types of shots.
Aperture: Aperture refers to the size of the lens opening, and it’s measured in f/stops. A larger aperture lets in more light, while a smaller one allows less light into your camera. There is often a tradeoff between aperture size and depth of field, which is how much of your image will be in focus from front-to-back (also known as bokeh).
Maximum Aperture: Also known as “speed”, this refers to how much light your lens can gather (i.e., its effective f-stop value) and is measured in numbers such as f/1.8 or f/2.8 (the smaller the number, the larger amount of light that enters through your lens). The maximum aperture isn’t always constant throughout a lens’ focal length which can therefore affect the amount of light that enters your image when using a zoom.
Minimum Aperture: This refers to how much light is required for your camera to successfully take an image. Most lenses will have values such as f/22 or f/32 (the larger the number, the less amount of light is needed). For professional purposes, you should make sure your lens has this small aperture option since it’s helpful if you want to achieve focus on extremely small objects (or in very dark settings).
Aperture control: There are three ways you’ll be able to adjust aperture depending on manufacturer and model. You can either move blades manually with your hand, use an electronic touch screen located on the camera, or set the aperture in advance (i.e., f/2.8) and let the camera’s software do the rest depending on shutter speed and ISO settings.
Filter thread size: This refers to how much larger your filters can be compared to the diameter of your lens barrel (in millimeters). Most lenses will have either 77mm or 82mm filter sizes which is perfect for accessory items such as circular polarizing filters, ND grads, etc.
Lens Speed: This represents the largest available aperture for a specific focal length. For example, if you have a zoom lens with a focal length range from 50mm to 100mm then it may have an aperture range from f/4 to f/5.6 which means that at its widest angle this lens would use an aperture setting of f/4 and the narrowest angle would use an aperture setting of f/5.6. The lower the number, the brighter your lens will be.
Lens Size: The size and weight of lenses varies depending on their focal length and aperture size (which is usually tied to its price as well). If you want something lightweight and compact then you’ll probably have to purchase a smaller aperture lens with a smaller focal length range; however, if you’re okay with carrying around a bigger lens then it’s possible to find something that gives you more flexibility but may weigh a bit more than what you’re comfortable with.
Focal Length: This represents the distance between your camera and the center point of your image when looking through your viewfinder (or at your LCD screen). The higher the number, the more zoomed-in your image will be. In photography, zoom refers to how much closer you can get to a subject without moving an inch whereas focal length is used to describe how much of your frame will be filled by the subject once it’s in focus.
Crop Sensor: When a standard lens or telephoto lens is attached to a DSLR camera with a 1.5x cropped sensor, it becomes effectively equivalent to a longer focal length (1.5 x) and narrower field of view (1.5 x). For example, if you have a 50mm f/1.8 lens then this would become 75mm f/2 on your APS-C camera due to its 1.5x crop factor. This can be useful for portrait photography as you will be able to focus on the subject more closely and blur out (or de-focus) the background behind them.
Autofocus AF and Manual Focus: Most lenses today will have an autofocus function; however, some will also include a manual focus ring (which allows you to control the focus even in AF mode). This can be useful if you want to quickly snap a photo without worrying about focusing your lens first. The downside of using the manual focus ring is that it requires additional time and effort to manipulate, which can detract from more creative compositions that require spontaneity and fast reactions.
Anti-vibration feature: This refers to a feature that is built into some lenses which allows for reduced camera/lens shake. It’s often used when shooting in low light or with telephoto lenses at high focal lengths where you might otherwise have slow shutter speeds.
Lens mount: You’ll typically find two types of lens mounts: a “Canon” mount and a “Nikon” mount. Both manufactures use their own proprietary technology so lenses made by one company will not generally work on another company’s DSLR camera. If you purchase an interchangeable-lens camera then it may have either of these mounts or something completely different depending on the manufacturer (such as Sony, Fujifilm, Olympus, Panasonic).
Lens Elements: This refers to how many pieces are inside your lens that help further control light rays to create a clear image. More elements mean more glass and therefore higher production costs for the manufacturer. The downside is that each extra piece can result in lower sharpness, chromatic aberrations, and color fringing.
Brands: When shopping for lenses you’ll find that they are manufactured by either Canon, Nikon (for DSLRs), Olympus, Panasonic (Micro four-thirds cameras), Sony (with its proprietary technology), or Fujifilm. The benefit of purchasing brand name lenses is that these manufacturers stand behind their products and will take care of any issues should you encounter them under normal use.
Warranty: You should always purchase a lens that comes with a warranty since you don’t want to be stuck with a defective product if something were to go wrong. The general rule of thumb is that the longer the warranty, the better!
Price: This will depend largely on what your budget looks like as well as how much you’re willing to spend on one item. In general, more expensive lenses tend to be sharper, have less chromatic aberrations, and give you cleaner images overall. However, this isn’t always going to be the case so it’s best not to fall for marketing traps which claim that one brand has a monopoly over all others in terms of quality.
Materials: Lenses are made up of either glass or plastic. Glass is known for being able to produce better quality images since it can transfer light more effectively than plastic. Plastic lenses have the downside of not producing as well defined an image as those with glass; however, they also tend to be lighter and therefore reduce fatigue when shooting for hours on end (something professional photographers must do).
Design: You may or may not find yourself concerned with the design of the lens. If you’re shooting in public where others might see you (such as during family gatherings) then having something aesthetically pleasing is important; otherwise, it doesn’t matter much. It’s worth noting that professional lenses tend to look better than their consumer counterparts…but don’t worry about this too much if aesthetics aren’t a factor for you!
Ease of use: Something you’ll want to consider! You don’t want your new lens slowing you down or complicating the entire process. Some lenses will be more intuitive than others so do a bit of research and see how they work before deciding to purchase one. If this is your first time, then I recommend starting with something simple that won’t cause frustration on your end (and possibly for those around you as well).
What are wide angle lenses good for?
A wide-angle lens is good for taking landscape photos with details in both the foreground and background. It can also be used to take photos of large groups (because it will capture more people than a standard 50mm lens).
How do you make your ISO higher?
The ISO on most DSLRs goes up to 51200; however, there are some models that go as high as 102400. The process of making it higher depends on your specific camera model so consult with its manual or user guide for instructions. You cannot, unfortunately, just adjust the setting without knowing how!
What makes prime lenses special?
Whereas most modern cameras come with zoom lenses, prime lenses offer only one focal length. This means fewer moving parts which results in sharper images. They are also typically smaller and lighter than zoom lenses which make them perfect for travel photography.
What is the difference between a crop sensor and full frame camera?
A crop sensor is one that has a magnification factor of 1.5x while full frame cameras have no magnification factor. This means that on a crop sensor, 100mm will behave like 150mm once you’ve taken it into account. The benefit of having a crop sensor is that it delivers better image quality at higher ISO levels since less information needs to be processed by the camera’s processor. The downside is that if you cannot afford two separate bodies then your widest lens choice becomes 150mm instead of 50mm (at least until you upgrade your body later).
What is the best lens for wide-angle photography?
The best lens for wide angle photography is one that can be ƒ/2.8 or wider. Anything smaller than this will result in extreme blurring and distortion of the image which you probably don’t want!
Is it easy to switch from one kind of lens to another?
The process isn’t difficult, but it does depend on whether your lenses are interchangeable. Some lenses come in different mounts (i.e., Nikon or Canon) while others use the same mount but vary in design (i.e., all L series lenses by Canon). Consult with your manual to see what types of lenses you can use on your model and how to change them out if necessary.
How do you get a lower aperture number?
Lower aperture numbers are achieved when there is more light being allowed into the body of the camera which means that less time is needed for each photo to be taken so it can go faster! That’s why using a flash will allow for faster shooting since it provides an additional source of light that doesn’t need time to expose itself onto the before taking the photo. A lower aperture number will also result in more depth of field.
What is the best size for a wide-angle lens?
All wide-angle lenses are measured in millimeters, but the focal length is what’s important here. Anything over 16mm will be considered wide angle. It won’t have much magnification so it’ll have a larger depth of field which can help you capture more in the photo.
Is a 24mm lens a wide angle?
Not necessarily. A standard wide-angle lens will have a focal length around 24mm or less (although some reach 28mm). Anything over that is considered ultra-wide angle and anything under that is considered normal.
Which Nikon wide angle lens should I buy?
There are a few options depending on your price point and needs. The AF-S NIKKOR 24mm f/1.4G ED is a good choice for landscape or astrophotography since it allows in a lot of light at an ultra-wide angle with that fast aperture number. If you’re looking to save some money, the AF-S NIKKOR 28mm f/1.8G ED is a great alternative since it will still allow in enough light and has all the same focal lengths but isn’t as expensive as its bigger brother.
Which is the best wide-angle lens for Nikon?
All of the lenses produced by Nikon are fantastic! It really comes down to what types of shots you want to take. If you’re looking for a wide-angle lens, the AF-S NIKKOR 14-24mm f/2.8G ED is an ultra-wide angle zoom that allows in so much light at its widest setting. It’s perfect for low light photos or nighttime astrophotography.
What’s the difference between wide-angle and ultra-wide-angle lenses?
Being able to take in a lot of light at wider angles is what differentiates wide-angle lenses from ultra-wide-angle ones. A standard lens will have around 24mm or less for its focal length while an ultra-wide-angle lens can be as much as 28mm.
What F stop is best for landscapes?
Aperture is completely dependent on the type of shot you’re going to take. If it’s a landscape, you’ll want a lower aperture number since it’ll allow in more light and have a larger depth of field. The best setting for this will be around f/11 or below.
Is the Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II a good lens?
For the most part, it’s one of the best lenses you can get! It has fantastic optics and a lightweight body so it’s easy to carry around. It also includes an image stabilization feature and vibration reduction which means that any shots taken at longer focal lengths will be incredibly sharp! There are cheaper alternatives out there, but this is one of Nikon’s top lenses.
Why wide-angle lens is the best?
There are a few reasons to use a wide-angle lens. They allow in more light since they have that wider perspective, which means it lets you photograph in low light. It will also give you that ability to capture more of the scene, which is great for landscapes or real estate photography. There are other types of lenses but this one offer everything under one package.
What effect does focal length have on wide angle?
As you can imagine, using any longer focal lengths will result in less distortion so it’ll lessen the impact of the fisheye lens effect. However, it still depends on how close your subject is compared to where you’re standing so there’s no hard and fast rule here. If possible, try experimenting with different focal lengths to see what effect it has on the photo!
What focal length is best for wide angle?
For wide angle, anything below 24mm will be considered ultra-wide and anything over that is standard. There are some more focal lengths out there, but it really depends on what you want to shoot.
Do wide angle lenses need image stabilization?
They do not need image stabilization but having it can be a major bonus because it means you’ll get incredibly sharp photographs no matter what! It’s a bonus and one that many photographers opt for.
What is coma in a lens and why is it bad in a wide-angle lens?
Coma occurs when light sources exhibit soft edges at certain points of an image. They usually look like small “comets”, and this is one of the most common problems in wide-angle lenses. It’s always best to look for an aperture with little to no coma if you want a sharp photo.
What camera would be best for wide angle?
The Nikon D750 or Canon EOS 6D are both great choices. They’re some of the best DSLRs on the market and since they have full-frame sensors, your images will be incredibly sharp and detailed! The Nikon has a flip screen which is great when shooting at awkward angles in addition to having in-built GPS and Wi-Fi so you can easily post online or send photos directly from them!
Why is fisheye lens not good for wide angle?
It’ll have too much distortion so everything will look warped! However, if you’re looking to create an artistic photograph, this might be what you want. In fact, there are some photographers out there who swear by using fisheye lenses, so it really depends on what your preferences are. If you know their strengths and weaknesses, there should be no problem at all!
What is a good wide-angle lens for Nikon?
The Nikon AF-S NIKKOR 14-24mm f/2.8G ED, the Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED and the Nikon AF-F NIKKOR 20mm f/1 .8G ED are all great choices since they have fantastic optics, lightweight bodies, and incredibly sharp images! In fact, this is one of the best lenses in its range so it should be on your shortlist!
If you’re looking for something that will give professional results but also lighten the load, then the Nikon AF-S NIKKOR 14-24mm f/2.8G ED is probably one of your best bets! It’s got great optics and a lightweight body, so it’ll be easy to carry around with you wherever you go!
What do you use an ultra-wide-angle lens for?
There are many uses for an ultra-wide-angle lens. They’re primarily used by landscape photographers because they can capture more of the scene which ultimately results in a stunning image at the end of the day! If you’re into architecture or any kind of photography where details are important, then try using an ultra-wide for some truly incredible shots.
Wide angle lenses are incredibly versatile and give you the ability to shoot under low-light conditions. You’ll also have a wider view of the world around you since it’s so wide! These are just some of its many benefits, but it ultimately depends on what you’re shooting. It also helps that most professional cameras offer this range, although your smartphone can do wonders as well.